So, temporarily put out of work by a damned fever, I find myself with plenty of time to write again. So I said why not write about this ‘new’ American band Blue Oyster Cult I recently discovered and am madly in love with!!!
American, mark, is the key word here. For reasons I am not able to pinpoint, 70s and onwards American rock has never particularly impressed me. Sure, Van Halen are irresistible with all their decadence and PARTY trappings, but that’s about it. Aerosmith, you say, Kiss, you say?? Nah. Sure a few songs were good but I really couldn’t see what made them so great other than their albums did very well and the critics found a more sissy and ‘acceptable’ *cough cough* alternative to the unholy trinity of Black Sabbath, Judas Priest and Scorpions, ha!! I loved Elf but that’s attributable to my idolizing of Dio. Guns and Roses??? Noooo!!! Nirvana?? Ugh!!!!
One reason these bands didn’t click with me was they seemed to interpret rock as a crassy means of entertainment and nothing more. Not for them the social outlook and musical innovation of British and European bands. But if the music was kickass, why should that matter?? True, but this shows somewhere in that the music doesn’t come across as strikingly original or even – the magic quality that Pink Floyd and The Who, among others possessed – graceful. Rush on the same side of Atlantic were writing the script for the prog metal of the 90s and Riot were laying the foundations of speed metal but that is a different story and they were never as mainstream as those American bands I mentioned.
So, when I first heard Don’t Fear The Reaper I was nothing short of stunned. It had everything – elegant chorus sections, soulful guitar leads, outstanding keyboard interludes and above all an effortless grace – that I had been looking for in American rock. After much hunting around, I got two albums Spectre and Fire of Unknown Origin and also a best-of compilation (all mp3s, I am ashamed to say). And what I had seen in that one song was repeated song after song, indeed Fire of Unknown Origin must be the one of the few rock albums in which I loved each and every track, you could do without On the Run in Dark Side of The Moon, you could do without maybe half the songs in the best UFO albums Force It and Lights Out, even Sabbath’s Vol 4 has the redundant Fx and Changes. But not here, every song is of one soul with the others and yet presents a different experience so that you are hooked till the last song Don’t Turn Your Back is over.
The secret to that is masterful songwriting. They do just about enough with the instruments to keep metal snobs like moi interested and at the same time write songs that are meaningful musically and lyrically. Musically??? Yes, they seem to know just how to build up a song so that it leaves a sweet taste in your mouth when it ends and also keeps you hooked right from the intro. Take for instance Flaming Telepaths. It opens with that intriguing piano intro leading into some wonderful chorus sections, a nice keyboard solo leading into the brilliant guitar solo, finally closing with the whole band going off in a controlled frenzy. Oxymoron, eh?? But there it is, they don’t exactly throw caution to the wind and yet close on a dramatic note.
This shows that come to think of it, writing a great rock song is not too hard, it is not about the virtuosity of the musicians but how they channel the talent. The average rock fan is not looking for a profound commentary on classical music; he/she is looking for hooks, hooks everywhere – be it the intro, be it the verse, be it the chorus, be it the climax. He/she relishes those ‘moments’ in a song which touch his heart; for me, the little piano interlude leading into the guitar solo in Flaming Telepaths is one such moment. The fun single Godzilla demonstrates their knack for songwriting even better; it manages to be light-hearted without turning inane and instead of sounding ponderous has a solid dose of irony. Lyrically too, these guys were right on the money; intelligent and thoughtful without sounding like proving their intelligence over and over was their sole mission in life. Rather than quoting passages, I suggest you to peruse of the lyrics of Astronomy or Burning For You or..heck, any of their well known songs would do.
So this begs the question: why are these guys shrouded in relative obscurity?? How has American rock come to be associated with Aerosmith and G ‘N’ R rather than Blue Oyster Cult??? The answer may lie in that the press looks for stars, for individual glory – aren’t Yuvraj’s 6 sixes talked about more than our much improving fielding throughout the championship – rather than the music itself. They look for a Steve Tyler, for a AXL Rose, for a Ace Frehley, for a Slash. You won’t find them in Blue Oyster Cult – though Bloom’s pipes and Dharma’s fretwork are hardly lacking at all. The stars of this band are the songs themselves because they reflect the passion and thought that went into crafting them.
How can I prove it?? Well, two metal bands that attempted an ill-advised full-length covers album – Metallica and Iced Earth. Both bands covered Blue Oyster Cult – Metallica covered Astronomy and Iced Earth covered Cities on Flame and Burning For You. These covers worked surprisingly well even though both bands sound nothing like Cult. In fact, they were arguably the only distinguished covers in the whole respective albums. Perhaps because Eric Bloom’s character is not imposed on these songs, ergo you don’t miss him in the cover either. Of course, both bands brought with them their characteristic crashing drums and thundering riffs which killed the gracefulness that I admire so much in the originals; yet they definitely captured the spirit of the originals better than say Metallica’s cover of Sabracadabra or Iced Earth’s cover of Number of the beast, both those songs originally recorded by great metal bands – guess who. And this is for me an admirable quality; no debates then over how the frontman ruined the band with his ego or how the guitarist doped his way to doom (sure Cult had their own troubles later on, but that’s a different story) – the only discussion possible is over the music and it takes a mighty prejudiced ear not to like this band’s music!!!
In summation, you can talk up your Beth, your Jump, your Cryin’ all you want, but show me something like Fire of Unknown Origin (song) or I love the night. Hail Blue Oyster Cult!!!!